Workshops for Adults

As one of the few illuminators in the UK (or internationally, for that matter), passing on my skills is vital if this traditional craft is to continue. This was expressed eloquently at the Convention on the Safeguarding of Intangible Cultural Heritage:

‘Any efforts to safeguard traditional craftsmanship must focus not on preserving craft objects – no matter how beautiful, precious, rare or important they might be – but on creating conditions that will encourage artisans to continue to produce crafts of all kinds, and to transmit their skills and knowledge to others.’ .

A list of my current workshops can be found below. I do hope there is something that interests you.

 

 

Introductory Medieval Manuscript Illumination Workshop, Lincoln Cathedral – Thursday 7th September

 

This workshop has now been held.

 

During this day in Lincoln Cathedral’s beautiful Wren Library you will have the chance both to meet some of the Cathedral’s own medieval manuscripts and create your own illuminated letter using 24 carat gold leaf and pigments.

 

 

Lincoln Cathedral manuscript

Lincoln Cathedral MS174 f.51

 

This day is designed for those with no previous experience of manuscript illumination. No artistic skills are required (although creativity is welcomed!) as there will be a selection of medieval designs to copy. Gold leaf will be applied flat to the page using a range of traditional and modern glues.

Timetable for the day

10am Meet at the Wren Library (please note: the Library is up a flight of stairs and there is no lift).
10 – 11am Meet the manuscripts with Julie Taylor, Cathedral Librarian. If you wish to turn the pages of these precious books please ensure that your hands are clean and non-greasy and that you are not wearing nail varnish.
11 – 11.30am Coffee / tea (included)
11.30am – 1pm An introduction to manuscript illumination with demonstration and tuition by Toni Watts, illuminator.
1 – 1.45pm Lunch break. Feel free to bring a packed lunch or purchase food from the coffee shop downstairs
1.45 – 4pm Work on your own illuminated designs. By the end of the session you should have a small completed piece to take away with you.

The Wren Library is sometimes a little chilly – it may be useful to wear an extra layer or two.

 

Proceeds to Lincoln Cathedral Library.

 

Lincoln Cathedral medieval manuscript workshop

 

 

Manuscript Illumination taster session for Heritage Lincolnshire’s volunteers

15th November, 1-4pm, Welbourn Village Hall.

A brief insight into the techniques used in creating medieval manuscripts with a chance to create a simple illuminated letter in gold leaf.
 

 

Introductory medieval manuscript illumination workshop, Lincoln Heritage Skills Centre.

 

During the morning you will have the opportunity to practice applying gold leaf flat on the page using a number of traditional and modern ‘glues’. Having honed your skills, during the afternoon you will complete a small medieval manuscript painting in watercolour and gold leaf to take home with you. No design / drawing skills or experience necessary although creativity is welcomed! There will be a choice of medieval designs for you to choose from should you wish to do so and all materials are provided.

October 21st 10am – 4pm

Online booking is here.

 

 

Luttrell Psalter N 500

An example of something you might expect to complete on the introductory manuscript illumination course, with 24 carat gold applied flat on the page.

 

Advanced medieval manuscript illumination, Lincoln Heritage Skills Centre – one place remaining

 

11th November 2017. This will focus solely on the use of manuscript gesso and loose leaf gold. Raising the gold on gesso means that it can be burnished to a high shine. It’s slightly more tricky, but well worth the time learning the skill as it gives beautiful results.

Click here for online booking.

 

Illuminated J by manuscript illuminator Toni Watts

Illuminated J, 24 carat gold on gesso. The design called for the gesso to be raised moderately high – quite how raised or flat you lay your gesso is purely a matter of personal taste.

Manuscript Illumination – Higham Hall, Cumbria

 

This workshop ( 22nd September 2017 18.30 – 24th September 2017 13.30) combines the two workshops above, allowing participants to both apply gold flat on the page and raised on manuscript gesso.

Many consider Higham Hall to be the UK’s best independent residential college providing a range of open learning experiences for adults. All meals are included in the course fee and, speaking from experience, the food is both delicious and plentiful!

Details are here, phone Higham Hall on 017687 76276 to book.

In 2018 I will be running two courses at Higham back-to-back. The first (31st January – 2nd February 2018) is the ‘manuscript illumination’ course, above. The second (2nd February – 4th February 2018) is ‘further manuscript illumination’, the focus being solely on improving participants skills in the use of manuscript gesso and loose leaf gold.

Update 14/ 8/ 17 – The courses at Higham, above, are fully booked. New dates in 2018 are:

Sun 23 Sep 2018 18:30 – Tue 25 Sep 2018 13:30 – introductory manuscript illumination.

Tue 25 Sep 2018 18:30 – Thu 27 Sep 2018 13:30 – further manuscript illumination

 

Extracting Pigments from Rocks and Roots, Lincoln Heritage Skills Centre.

 

Extracting pigment

 

The earth is the source of the pigments used in the great paintings of the past: extracting pigments and making them into paint was a part of any artist’s practice. This workshop will introduce you to this traditional skill, transforming rocks (a local stone and a semi-precious rock such as Chrysocolla) and plants (Persian berry or Madder) into beautiful watercolour, tempera and oil paint..

 

Medieval paint making workshop Toni Watts illumination

Pigments extracted on the last workshop. A couple of them do look like jam, but when dried (below) and mixed with a binder, they make great paint!

 

Natural pigments handmade traditional art Toni Watts

Date / Place – 25th October 2017. Online booking is here.

 

 

 

Feedback from previous courses is overwhelmingly positive:

‘Could not have been better’.

‘I wouldn’t have believed that I could produce something that beautiful. I’m thrilled.’

‘It was a joy’.

‘Thank you very much for doing the workshops last week – I’ve had great feedback from all the students about how much they enjoyed it’. 

Alan (stonemason), Sarah (Royal school of Needlework) and I - tutors at the Heritage Skills Centre, Lincoln.

Alan (stonemason), Sarah (Royal school of Needlework) and I – tutors at the Heritage Skills Centre, Lincoln.

 

 

 

 

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